Director Edgar Wright opens up about creating his most expensive film to date, The Running Man, featuring Glen Powell in a daring performance that tested both endurance and dedication.
In one of the movie’s most challenging scenes, Glen Powell hangs from a rope eight stories high, nearly naked except for a towel, as temperatures drop below freezing in Bulgaria. Wright, wrapped in a parka and sipping espresso, monitors the performance from below.
The shoot took place in February, soon after a blizzard blanketed the country in snow. It marked the longest, costliest, and coldest production of Wright’s career.
“It’s always temporary pain for eternal cinematic glory,” Powell jokes.
Portraying a desperate game-show contestant fighting to survive, Powell tracked the brutal weather ahead of filming, well aware of the physical toll the scene would demand. Wright’s perfectionism meant details mattered — every camera angle, movement, and beat had to be precise.
Known for stylized hits like Hot Fuzz and Baby Driver, Wright has built a reputation for blending humor with sharp, kinetic action. His approach to The Running Man combines that same creative energy with a new level of scale and seriousness.
“He’s meticulous about choreographing action sequences and obsessive about getting the perfect shot,” a crew member remarks.
During one take, Powell hung suspended by a harness for over 30 minutes as the camera reset, a testament to both actor and director’s shared pursuit of cinematic excellence.
Edgar Wright’s The Running Man fuses bold ambition, extreme filmmaking, and Glen Powell’s fearless dedication into a visually striking reimagining of Stephen King’s dystopian story.